Noa Beinart

With a voice of arresting depth and rare expressive power, Noa Beinart is rapidly carving out a distinct place on international stages. A true contralto, she moves seamlessly between eras and styles, from the intricate lyricism of the Baroque to the towering emotional and vocal demands of Wagner’s Der Ring des Nibelungen.

In the 2025/26 season, Noa makes her role debut as Handel’s Orlando in a new production at the Opéra national de Lorraine and Opéra de Caen, conducted by Christophe Rousset. She will also make her debut at the Mozartwoche in Salzburg as Dritte Dame in Die Zauberflöte, directed by Rolando Villazón, and returns to the Opéra national de Paris as the Third Nymph in Rusalka. At the Bayerische Staatsoper, she appears as First Maid in Elektra and as Schwertleite in a new Die Walküre under Vladimir Jurowski and Tobias Kratzer. Concert highlights include her return to the Sydney Symphony Orchestra as Erda in Siegfried with Simone Young, and performances of Mahler’s Resurrection Symphony with Zubin Mehta and the Orchestra of the Maggio Musicale. She also joins Les Talens Lyriques and Christophe Rousset for a recording of Porpora’s Ifigenia in Aulide.

In the 2024/25 season, Noa returned to the Wiener Staatsoper as Erda in Der Ring des Nibelungen, to Opernhaus Zürich as Amastre in Serse, and to the Bayerische Staatsoper as Hannah in The Passenger. She made her Royal Danish Opera debut in the title role of Vivaldi’s Griselda. In concert, she sang Mahler’s Symphony No. 8 with the Wiener Symphoniker under Philippe Jordan, the Alto Rhapsody with Eva Ollikainen, and Mahler’s Symphony No. 3 with the Sydney Symphony Orchestra and Simone Young.

Recent operatic highlights include her Royal Opera House, Covent Garden debut as 1st Maid in Christof Loy’s new Elektra under Sir Antonio Pappano, and returns to Opernhaus Zürich (Die Walküre), Bayerische Staatsoper (Gianni Schicchi, Elektra, The Passenger), Wiener Staatsoper (Daphne), and the Bayreuth Festival (Götterdämmerung). She made her debut with the Staatsoper Unter den Linden in Berlin as the First Norn in Dmitri Tcherniakov’s production of Götterdämmerung conducted by Christian Thielemann, and has appeared at the Opéra National de Paris (Die Walküre) and the Salzburg Festival (Elektra, Die Zauberflöte).

Noa Beinart was born in Tel Aviv and between 2020–2023 was a member of the ensemble at the Wiener Staatsoper, where she sang a wide range of roles including Erda (Der Ring des Nibelungen), Maddalena (Rigoletto), Auntie (Peter Grimes), and Suzuki (Madama Butterfly). She previously trained in the Opera Studio of the Bayerische Staatsoper and is a graduate of the Hanns Eisler Hochschule für Musik in Berlin.

Biography not for publication, for an up to date version please contact Oliver Clarke.