Polish bass-baritone Daniel Mirosław joined the Ensemble at the Staatsoper Hannover in the 2019/20 season; he is a graduate of the Guildhall School of Music and Drama, London and of the Julliard School, New York.
Daniel’s future guest engagements include his return to Ópera nacional de Chile, Santiago as Escamillo Carmen and as Raimondo Lucia di Lammermoor and he will make his debut at the Opéra national de Lorraine in his role debut as Scarpia in a new production of Tosca, and in Hannover, his roles include: Escamillo; Iago Otello; Dr Dulcamara L’elisir d’amore; Don Basilio Il barbiere di Siviglia and as Kaspar Der Freischutz.
Other recent highlights include the title role of Don Giovanni and Mephistopheles Faust for the Ópera nacional de Chile; Truffaldino Ariadne auf Naxos for the Glyndebourne Festival; Melisso Alcina at the Internationale Händel Festspiele in Karlsruhe; Don Giovanni for Opera Wroclaw, Poland; Don Magnifico La cenerentola and Figaro Le nozze di Figaro for the New Generation Festival, Firenze; Oroe Semiramide in Moscow with Maestro Alberto Zedda and Graf Lamoral Arabella for the Opernhaus Zurich.
From 2016-18, Daniel was a member of the ensemble in Frankfurt Oper, where his appearances included Eustazio Rinaldo; Gualtiero Raleigh Roberto Devereux; Sparafucile Rigoletto; Quinault Adriana Lecouvreur; Panthée Les Troyens; Colline La bohéme and Lothar Der Sandmann. He also appeared at the Alte Oper Frankfurt as the bass soloist in Mozart’s Requiem.
Whilst at Julliard (2014-16), he appeared as Don Geronio Il turco in Italia; Collatinus The Rape of Lucretia and Der Tod Der Kaiser von Atlantis; he made his Carnegie Hall debut singing Don Fernando Fidelio; also appearing as the bass soloist in Beethoven’s Mass in C major and in Handel’s Messiah.
Biography not for publication, for an up to date version please contact Oliver Clarke.